
Thanks for the great class Patricia.
Photoshop class blog describing their learning journey.
The “Talk Mania” tutorial introduced some interesting techniques, aka “layer properties”.
For my second tutorial, I created “Latest Tweets” box:
http://psdvibe.com/2008/12/04/create-a-latest-tweets-box/
I figured this would eventually be a great asset for my websites.
The website mock-up exercise was an opportunity to sketch out a website concept for my wife’s childcare business. When storyboarding, pen turned surprisingly fast for generating straight line outlines. I experimented with Bezier curves, anchor points and subsequent stamp pad when creating navigation buttons, but this was no match (slow, tedious) for using rounded rectangle tool instead to produce perfect buttons fast.
I picked a mellow and playful color theme from Kuler (dark brown E89B78, okra FFF07B, purple EDA2FF, blue 88B9E8, green 96FFA6). The original background wallpaper contained red hearts – a bit too kitschy.. So, I selected (quick selection tool) and removed them. Then replaced the resulting holes with blue polygons of different sorts and blurring the wallpaper with lens blur (and some Gaussian) to make it appear distant. I selected the “girl with a flute” (quick selection worked perfectly here) from the original wallpaper, and elevated her to the central theme of the header. The Kuler color scheme did real wonders for the mockup once applied to the company name and to the navigation buttons. And in the process, I learned how to quickly pick them from the swatch menu. Two clicks (Drop shadow and Inner Glow) turned the text of the company name into a stunning feature. Life is easy with Photoshop!
When creating the header and text boxes, I created my “custom” gradients and then turned up transparency (through “layer properties”) for best effect. (This looks great in concept, but I am not sure yet how this will turn out in a browser.) I wanted to add life to the site – no better way to accomplish this than by including photos of kids. Dropped one in and applied a blending mask – great!
I thought that embedding the latest tweets would be a great way to enhance daily communication with parents. With a slight branding tweak (“Littlest Twitter”) the Twitter interface is a perfect fit for this site, not to mention its real purpose. (If someone knows how to feed the real-time tweets into a website, please let me know.) At this point, all that was left was just cosmetic touches – like applying the dodge tool around the edges to lighten up the pixels on the background wallpaper. This is ready to go into development!
For my final project, I created a website design for an imaginary band, Stray.
The Kuler theme I made for the design was Simplicity: #000000, #0A0A0A, #191919, #283038, and #FFFFFF.
I made a few false starts with the Pen tool, and eventually discarded them because my design was curveless, and there was no need for precise paths. Instead, I drew the rectangle of the main envelope with the Shape tool, which was much easier, and gave it a faint white Outer Glow.
The background was composed of a Lost and Taken grunge texture, overlaid with a clipping mask onto a gradient composed of the darker tones of my theme.
Once I had the typography of the title and subtitle adjusted, I used the Burn tool to vary the brightness of the white letters, to give them a suggestion of burned-out electronics. The winged key motif in the background I made with the Custom Shape and Polygon tools, and then I repeated it with the Clone Stamp tool. The blue link on the bar at the top is meant to show what an individual link would look like on rollover.
The little moon graphic, which is meant to be an example of something you could put in the body text area of the website, I grabbed from this photograph with the Magic Wand tool and a handy reversed selection, and then overlaid with the Poster Edges filter, to make it look more like a piece of clip art.
The result doesn't really suit my standards for web use, but I like the look and feel of it.
My portfolio turned out very nice.
I like the simplicity of Bridge's gray-on-black design for the gallery. The images themselves don't really match — the only thing they have in common is their status as my homework. I did learn a lot from this class, and even though I felt good about each project as I completed it, I find myself wishing the results had turned out more sleek and professional. However, soon I will have a tablet to play with and I'll have much more fine control over the medium. I think it's a good start.
The banner I created with text and shapes is meant to be a public safety poster warning London Underground passengers about zombies.
My color scheme had four colors: #000000 (black shadows), #909dad (light blue accents); #3f3e34 (brown background text) and #b5b5b5 (gray background text).
Most of the time on this project I spent tinkering with the text and with the gradient map, which I wanted to be very muted, mostly black but with gray and blue shadows. I think I succeeded better with the gradient map than I did with the text, but it was a good opportunity to practice kerning and leading, which was a great help, since I needed the kerning for the title and subtitle to be very different from the kerning in the paragraph, since the different fonts needed to be readable.
I layered in two basic shapes — the rectangle underneath the main paragraph, which I set to Multiply to make the paragraph text easier to see, and the crown symbol underneath the warped "LDPS" logo at the bottom.
I only used two stock images for the background; a sidewise photo of Big Ben which I wish was more visible in the end result, and a girl in a zombie costume, whose eyes look so strikingly blue in the photo that I incorporated them into the color scheme.
I think I succeeded fairly well with my typographical design, which turned out eye-catching — I'd stop and look if I saw a poster like that — but the ad copy didn't come out as creative as I was hoping it would (I'm still too tired to write properly). Maybe later, I will rework it and try to invent a steampunk version.
Text and shapes? Why not try to design a Christmas card. I started in color heaven – Kuler website - experimenting with the application and mixing my own themes. Finally, I decided to go with someone else’s palette, I believe it was called “Sprucing it up for Christmas”. Lovely combo of five colors: darkest green (2E5C32), middle green (328C4C), light green (9EB84F), yellow (F58442), red (C23B31).
After the dust settled, I only used three out of those in my composition, but it was nice to have choices throughout the project available. Kuler makes mixing sub-par, unprofessional-looking color schemes simply impossible. The single negative thing about this application is that one can spend entirely too much time on this beautiful website!
On with the composition, I challenged myself whether I could create a Christmas card with only shapes and text, plus a magic bag of Photoshop tools. First, I sketched out a silhouette of a Christmas tree, made out of garlands and stars. The garlands were created through custom shape tool, and subsequently reshaped via transformations (scaling, warping etc.) to forge a swirling shape and effect. Some subsequent layer aligning to make them look as if wrapped around a tree and we have a foundation. I then filled the imaginary tree silhouette with star shapes. The larger-sized stars were generated through a sequence of: path selection à transform (rotating) à duplicating the transform process. The transform/duplicate process left some room for improvement, to better align the stars along the garlands. I simply applied some edit/transform – scaling and warping to achieve just that. The rest was straightforward enough, as I simply filled the tree silhouette with randomly scattered and generated smaller-size stars – the Christmas tree was born. It was surprisingly simple, the results were better than expected. (The minus was that this generates a layer per each star shape, resulting in 40+ of them in my composition. Fortunately, layers are cheap in Photoshop…).
I placed the composition on the darkest-green background from my palette, and created a glow effect at the top of the three. A gradient mask layer on top of the background layer did the trick here. This is coming together nicely, but what to do with my tree top? Who would have thought that image of planet t Earth selected a couple of projects ago will come in handy again – it was the perfect fit. The theme was complete now – a star-spangled Christmas tree, with bluish Earth glowing at the top like a giant Christmas ball. Like in peace to us all on Earth.
I framed it with “Merry Christmas 2009” on top, this in my perennial favorite “Curlz MT” font family - it gives the headline a “merry” accent, without going over the top by employing other effects. My intention was to go with the “red” from my palette, but white stand out more prominently.
I proceeded to explore the rich text-formatting capabilities of Photoshop by dropping in the “The night before Christmas” poem. No kidding, Photoshop lets you do almost anything with text. And I needed most of it – leading to perfectly fit the long lines into a constrained space (the first line called for a special treatment), kerning to proportionately space out the title, the body of the poem and the closing line. Wow, this is what it must have felt like in the days of manual type-setting – total control! Blessed are we to live in an age when everyone can be the author, typesetter and a publisher, all in one – the era of Adobe applications!
This was a comparatively quick and easy project for me, since I'd had more practice working with filters and layers than any of the other Photoshop tools before I started the class.
I found a lovely image of paper lanterns to use with filters.
I got the best results with an application of the Smart Sharpen filter. I tried various Blur filters but discarded them, because I wanted to keep as much detail as possible. Then I experimented with various stylistic filters. My final result, which reminds me of a bold watercolor painting, was achieved with the Poster Edges filter.
For my layered image, I decided to use this portrait of a girl wearing a hat, and give her butterfly wings.
I found a suitably large butterfly, and also a pathway lined with trees to use for the background.
Most of the work I did cobbling the layers together was in color correction — the pathway image, unlike the paper lantern image, needed a lot of color tweaking and once I had the layout framed the way I wanted it, I felt it was too busy and drew too much attention away from the model's face. Finally I shadowed it over with the same curling brush stamps I used for my last layered project, and set the stamp layer to Multiply. (I used content-aware scaling to make the trees taller, but with the effect overlying it, it's not as easy to make out.)
The wings were fun. I carefully cut them out from the butterfly image and rotated them to fit on the girl's back, and then used the Warp tool to tug their proportions into a more three-dimensional shape. I used a clipping mask to add a pattern layer to the wings, set to a low Opacity so that the effect would be more subtle.
When I was working on the layer style for the text, I discovered accidentally that framing the girl's face with a Bevel/Emboss style gave her a half-shadow, half-glow appearance that looked very magical, so I left it in. I also used Drop Shadow to make the wings look thicker.
I'm moderately proud of the result — I think it turned out better than my last project did. However, I think if I were left to my own devices, I'd remove the text; it was requested in the project outline, but I don't think it adds much to the overall composition.